Noticias

Learn how Lemons Bucket made their unusual Jellyfish visualisation

RebusFarm's new making-of by Provisual Pro includes lots of Forest Pack and RailClone

Learn about Javier Feijoo Ortiz wonderful student project

Chaos talks to Dương Thanh Nguyên about using Vantage

Descubre cómo Kraken Studio creó la obra ganadora del Desafío 2022 de Evermotion en la categoría de mejor renderizado comercial

Check out this making-of on RebusFarm's website by Bartek Muczyn who used Forest Pack and RailClone for this amazing image.

Discover how Garage Farm supports iToosoft to make 3d renders look better and 3d artists’ lives easier

We talk to Christian Haas from LUXX Films about their animated feature Manou the Swift

Learn how Blur created the incredible swamp scenes in the Mafia 3 reveal trailer.

We talk to TAT productions about bringing The Jungle Bunch to the big screen

Join Bartek Muczyń as he talks us though how he made "Container Harbor"

State of Art Academy has published a fantastic overview of Forest Pack 7's ability to scatter non-geometric objects like lights and VDB volumes.

Learn how Beauty and the Bit used Forest Pack for their unique architectural short film LANDMARK

Interview and behind the scenes from MAKUTA VFX Studio

Bertrand uses RailClone and Forest Pack extensively to recreate Marcel Breuer’s Hooper House II

Find out how David Romero recreates Frank Lloyd Wrights unbuilt masterpieces

Rune Spaans talks about bringing Dave Cooper's work to life in The Absence of Eddy Table

Rendering road projects with traffic sims using 3ds Max 2016, Forest Pack and AIMSUN

1972 Nakagin Capsule Tower in Tokyo

Straightface Studios discuss live performance films for Boston and PNB's Nutcracker Suite.

Martin Geupel uses Forest to create patterned carpets suitable for close up renders.

Quixel released two great tutorials about using Forest Pack with Megascans

Bertrand Benoit talks us though his incredible images of an enclosed garden

This incredible render of Berlin's chamber of commerce is 90% RailClone.